While Dracula was a figure whose mysterious and dangerous sexuality was primarily aimed at heterosexual women as a marketing tactic for all of the Count’s film history, the queer subtext of both the book and the movies remains persistent and, thanks to adaptations, more and more explicit. (Who could have foreseen this? The guy with a flair for dramatics and capes is queer?
Not me. The queer horror of “Dracula” A lavender-tinted look at Bram Stoker and the seminal novel he wrote years ago. Bram Stoker’s Dracula is subject to a queer reading. Dracula has clear homoerotic tendencies and since these tendencies are both sexual and outside the norm (i.e., evil), they must be destroyed. But the suggestion of the homoerotic does not stop there. Homosexuality is also hinted at in the use of the woman as intermediary and in the homosocial relationships among the members of the Crew of.
Only with the symbolic elimination of the queer does Lucy’s undead soul know peace. Ironically, a result of this tangle is that Coppola succeeded in his attempt to make a film that is not just another Dracula story, but instead Bram Stoker’s Dracula. Sedwick’s principle on exceeding structured binary opposition to categorized the atypical Dracula. In understanding Dracula and its’ author Bram Stoker, subtextual language and discrete elements embedded within the horror story and the correspondence of Stoker to some of his friends reveal insights in the subversive gay literature.
Having finally bared his soul to his literary idol, Stoker stuck the letter in his drawer, and did not actually work up the nerve to mail it for four more years. Featured In This Story. The widespread belief that Jack the Ripper was Jewish reflects the racism of Victorian England that sought to blame the Jews for its problems.
Westfeldt and his patient, Renfield, with the panache of a vaudevillian. Create a free website or blog at WordPress.
Vampires, Jews, and homosexuals were also all associated with strange smells believed to arise from the bodily emissions of masturbation or the fecund odor of sodomy Malchow Install the app. System Light Dark. Further Articles from the Author Platform. Gaps in the record suggest a great deal may have been lost or even deliberately censored by Stoker himself, but much may never have been put to paper at all.
This man belongs to me is almost certainly the very first line of dialogue Stoker ever wrote for any character in Dracula. In the natural world, the living feed on the dead, but Dracula is the dead who feeds on the living, and by this feeding he prolongs his life Oct 9, Vagabond Heart. Subscribe Subscribed.
Steve C Basic. At least, Dickens admits that Christians can behave as badly as Jews. Irving has often been discussed as the source for the character of Dracula , and Skal explores this possibility. In fact, these themes are at the very core of the novel. Stoker often did editing and other literary work for him on the side when not busy with the theatre.
What's new. More severe depictions included Jewish men as cowardly homosexual degenerates who preyed upon innocent boys; such representations easily extended to the metaphor that Jews were like vampires, for vampires seek their victims during nocturnal hours, the same time when homosexuals are most likely to contact one another Malchow , You can visit Tyler at www.
Long Island. Stoker made one final connection between Dracula and the Wandering Jew that he later deleted from the final version of Dracula. Was Dracula Gay? Whatever goes to the tilth of me it shall be you! While Skal likes to go off on tangents, all the tangential material is still relevant and fascinating.
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